But only for one weekend, December 8-11.
So get on it.
Most of the time, most days in every month, your audience is not in the theatre seeing shows. They’re out there in the world, doing what they do: swimming at The Dock, fastening miniature horses to sidewalk rings, dodging below crane-a-palooza. Maybe that’s only in Portland.
And when they’re not physically present in the theatre, which is most of the time, how do they experience your brand? It happens internally. Any time you come to mind, they replay a mental news reel that sums up all the various memories and associations they have. And other than the quality of your shows, probably nothing influences what they think as much as your graphic design.
The thing about interesting theatre activities in smaller markets is you have to be ready and watching ALL THE TIME or you might miss something good.
You can’t say, “I do not need to hear about any more remounts of ALMOST, MAINE in Estacada or Wagontire – so I’m going to tune out everything now.”
Guaranteed if you do that you’ll miss something you should have seen.
Here’s a tip. Liminal is back and planning a four day only blitzkrieg at Disjecta.
Only 40 people per show! Translation: This thing is going to sell out faster than Donald Trump’s transition team.
So get on it. NOW.
Culture Project at Lynn Redgrave Theater
Thru Jan 8, 2017
Stand up comedy seems to have its share of substance abuse and extreme emotions. From the smoking craters of several career directions, Gethard weaves a personal story about how he finally figured out the right dosage and made a life on stage and off. Now we know: NJ is crazy.
Directed by Lileana Blain-Cruz
Thru Dec 18
When in the theatre – do what can only be done in the theatre. Color, costume, words. The avant garde language of Parks is framed and filled out by masterful direction from Lileana Blain-Cruz. This talented new director keeps her streak of utterly theatrical experiences going strong.
Thru Nov 19, 2016
Rendering plausible British accents – so often a challenge for American actors – here turns into a minefield of problems with a near constant barrage of detonations. Potential melodrama of story not helped by excessive directorial pauses, teeth gnashing, tearful breast beating. Setting between two eras is not clear enough. Not authentic.
In the theatre world we have, a handful of franchised shows from New York play regional theatres struggling for relevance. As the lights go down on that mass produced version of BAD DATES, VENUS IN FUR, etc., you could be anywhere. Welcome to Olive Garden.
In the theatre world we need, instead of taking up the assignment as conveyor belts in a creaky colonial system, local companies instead create their own new work – stuff you can find nowhere else. They engage with their community. They make place and time specific art. Their shows then travel the OPPOSITE direction – from the hinterlands toward larger cultural centers, where audience members feel they have sampled something original. Something authentic. Welcome to Higgins, Pok Pok, Lincoln.
On that note, the noise in the underground laboratory of one of Portland’s unique theatre groups has been steadily increasing, and smoke and sparks have been seen shooting out of taped over windows late at night. That’s because they’re working on a new show in there. One that has never been seen. And in a few short weeks – just in time for Christmas – you will have a chance to behold the new. Bonus: it’s at one of the coolest venues in town.
That’s right – the next show from Liminal is coming down the tracks.
The bomb-throwing storyteller of the land once known as America is back. Truth be typed, he never went anywhere. Funny, incisive, complicated, conflicted – Mike Daisey will never be safe for television. Which is why we’re lucky to have him on the stage.
One night only, the Mainer turned New Yorker is back in Stumptown to talk about – what else – Trump. Unfortunately the show is in the extremely bland and mediocre too big to fail complex horrifically named Portland 5 Alive. Mike, next time book Revolution Hall! But anyway, here’s your chance to see the man.
The Trump Card
September 25, 2016
You know HUGHIE, right? That small but great play Eugene O’Neill wrote late in life, in between all those big but great plays. On that old desk in Tao House above.
You don’t? Huh.
New York’s Second Stage Theater is on a roll.
Not that they weren’t on a roll before. But now they are REALLY, REALLY on a roll.
After acquiring the Helen Hayes Theatre in April of 2015, this upstart Off Broadway producer has moved stoutly onto the Great White Way. Even more impressive: the new Broadway space is dedicated to only contemporary playwrights. That’s right.
The company now has three (count ‘me) spaces around Manhattan. And from the looks of it, new productions are lining up in the queue like planes at EWR.
You can see the exciting lineup for next year here.
But one to call out right now is the rarely staged A PARALLELORAM by Bruce Norris.
And another is THE MAN FROM NEBRASKA by Chicago double threat Tracy Letts.